Venice Biennale 2022 opening week review: who, how and what on earth?

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The Venice Biennale opening week is something to behold. For seven days and seven nights, the tiny, staggeringly stunning city becomes the apparent centre of the art world.\u00a0\nIf you\u2019re planning a visit to the Venice Biennale between now and November, expect days fuelled by Campari Spritz, carbohydrates garnished...

opening week is something to behold. For seven days and seven nights, the tiny, staggeringly stunning city becomes the apparent centre of the art world. between now and November, expect days fuelled by Campari Spritz, carbohydrates garnished with the occasional vegetable, wondering whether you will ever make a dent in your to-see list, and wandering cobbled streets waiting for Google Maps to find you.

Piazza Ucraina, by the curators of the Ukrainian Pavilion, Borys Filonenko, Lizaveta German, Maria Lanko realised in the context of the 59th International Art Exhibition with the collaboration of the Ukrainian Emergency Art Fund and the Victor Pinchuk Foundation, an open-air installation at the Giardini of La Biennale, designed by Ukrainian architect Dana Kosmina.feels like a renaissance of sorts .

Kazakhstan Pavilion art collective ORTA also faced setbacks due to war-related freight delays but quickly adapted to create an improvised, locally sourced set in which to stage their performances. Elsewhere, the exhibition ‘This is Ukraine: Defending Freedom’ is another example of Ukraine’s admirable cultural resilience. The two-part group show – opened with a rousing live video speech by President Zelensky, who encouraged audiences to ‘support this fight with your art’ – features work of contemporary Ukrainian and international artists. 2022 Site-specific installation in the ’The Milk of Dreams’, curated by Cecilia Alemani.

Staged in both the Arsenale and Giardini, this is a hard show to curate. Firstly, there’s a lot of art , but also a lot of space to fill. The Arsenale’s Corderie, a 316m-long industrial building divided into loose sections, functions as an art marathon, requiring stamina, pacing and regular pit stops. Simone Leigh’s colossal bronze

 

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