, have a "very particular kind of classed, feminine thinness, yet we don't worry about the impact they're having on young women.”in particular seem to elicit so many strong opinions about body diversity? Professor Robinson cites the format of the show, as well as assumptions about class, and “some snobbery around taste that seem to make reality programs likelook any different from any other part of society?’ Parts of it are just showing us what society's values are.
“The most important value of reality TV has always been the conversations that people have about it.”contestants have in common; the popularity of Instagram has helped nurture a new beauty ideal, namely “Instagram Face,” which Jia Tolentino described inas “a young face, of course, with poreless skin and plump, high cheekbones. It has catlike eyes and long, cartoonish lashes; it has a small, neat nose and full, lush lips,” adding that the face is “distinctly white but ambiguously ethnic.
Crucially, Instagram Face is available to anyone, provided you're willing to pay for it. When we watch, we may well be struck by how seemingly unattainable the contestants look, but another part of us is unconsciously making calculations: If I lost ‘X’ amount of weight, saved up for ‘X’ amount of cosmetic procedures, and invested in some ultra-posh hair extensions, perhaps I could go on the show…Love Island, Farrah Storr points out that it was noticeable when producers appeared to start recruiting contestants via Instagram, saying, "Suddenly the contestants were better-looking, more gym-honed and certainly more self-conscious about how they looked and what they said.
Of course, embodying an Instagram aesthetic only gets you so far. Once you're actually on the show, you're also relying on other contestants to find you attractive: a factor loaded with
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