Dynamic, inclusive and forward-looking, the all-female and non-binary Every Woman Biennial lands on both sides of the Atlantic, with editions in London and New YorkFor its fourth edition, The Every Woman Biennial is staging simultaneous events across New York, and its ‘sister city’ of London.
Each year the biennial turns to Whitney Houston for inspiration, basing its title on a song by the American icon that celebrates women elevating each other. The 2021 biennial theme isThe inaugural London edition , directed by Eddy Grattan-Bellew and Ruby Streek, has taken to the streets of the city with performances and public art, including transforming iconic monuments through.
A distinctive feature of Every Woman Biennial London will be collaborations with organisations to span the entire city, including those with Queer Art Projects, London Festival of Architecture, Woolwich Contemporary Print Fair and The Rectory Project. Art highlights include Irish artist Michelle Rogers’ captivating and candid portrait of Dolly Parton and the work of Brazilian artist Juliana Naufel, who explores the connections between textile art, gender and female artists from Latin America.
‘It’s been my dream to expand to cities worldwide to create more opportunities and community to elevate women and non-binary artists, and we’re excited to present the inaugural Every Woman Biennial in our sister city, London,’ says founder and curator C. Finley. , NFT 2021, Above: InXestuous Sisters, still image from performance for the Galatea project presented by Queer Art Projects with Every Woman Biennial.
As C. Finley concludes: ‘Not knowing if we’d be able to get together during the pandemic, we embraced the new NFT platform for our 4th edition in NYC. 600+ emerging female and non-binary artists are coming together across the biennials to exhibit, perform and lift each other up.’ §
And yet they didn’t credit the artist, Lex Marie. Is this how they treat Black women artists? Using their work without sharing their name or compensating them?
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