Yiannis Pappas, Telephus, 2018, Bangkok Art Biennale: Beyond Bliss, for the live exhibition A Possible Island? curated by Marina Abramović Institute at Bangkok Art andThe Berlin-based artist Yiannis Pappas was born on the island of Patmos, Greece, famous for being the site where the Bible’s apocalyptic Book of Revelation was written, and where a Unesco-listed monastery has stood since 1088.
Yiannis Pappas, Telephus, 2018, Bangkok Art Biennale: Beyond Bliss, for the live exhibition A Possible Island? curated by Marina Abramović Institute at Bangkok Art andThrough these two references that informed the work – the myth of Telephus and the allusions to military regimes – I see two forms of legacy. In the first case, a material memory of the performance was donated and archived in the museum.
Estileras, Calçado de Monstro, S/S 2020. Enantios Dromos and Brendy Xavier are wearing Calçado de Monstro De Rolezinho and VelociraptorBoni Gattai and Brendy Xavier are Brazil-based performance, transdisciplinary and multimedia artists working under the name Estileras. Their practice subverts traditional fashion structures, questioning the exclusivity and secrecy that permeate the market.
From the collage of materials and the assembly of people we’ve created objects closer to the uncertain and difficult aspects of life. Their online history aims to shine a light on all the other lines.halilatasever.wordpress.com, @ataseverhalilTurkish artist Halil Atasever grounds his practice in reflections of the human condition.
With a few apples left on the side table, I’m trying to forget everything I thought while unstitching the shirts.A performance itself is basically the guardian of Dionysus. Upon thousands of years of cultural history, I find it confusing to draw the line between rational and irrational. Apollo is not Apollo any more.Photograph by Canberk UlusanIt took me a while to detach myself from postmodern theories and go back to the basics.
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