and his long-term collaborator Time & Style, held in the manufacturer’s Amsterdam showroom, the architect explains, ‘The transparent nature of traditional Japanese architecture avoids heavy walls and uses slim pillars to support roofs, under which is an open-plan space. Paper-covered sliding windows calledact as walls, and even then these are often left open. Similarly, thin sliding doors divide interior spaces.
Bringing large objects into such spaces would destroy the ambience and also the natural ventilation. From a cultural perspective, the Japanese traditionally sit directly on a, and dine on small, low, single-person, tray-like tables called. So ‘chair’ and ‘table’ in the conventional Western sense are not necessary to begin with and instead the Japanese opt for sophisticated, minimalist – and small-scale – furniture.
Kuma’s continuous exploration and reinterpretation of traditional lifestyle, values and craftsmanship pave the way for contemporary Japanese furniture to be appreciated internationally. ‘My objective is to design modern furniture as an extension of the innovations in traditional Japanese furniture that have been honed over the centuries. I believe that people today need furniture of this nature and modern transparent spaces.
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