Ben Broome
In the middle of planning new projects for Tokyo and Paris, he explains that an important part of his approach is relieving the pressure on artists by not forcing them to fit a traditional exhibition theme. His group shows never have overarching narratives; the only common thread is their location and choice of talent, who all come to Broome through personal introductions. And though he recoils at the idea of having a permanent gallery, he hates the idea of cliched pop-up spaces just as much.
“We held this phat opening night and a tonne of people came along. Hundreds and hundreds turned out, and they were spilling onto the street. All these musicians were there, jumping on the mic. And then Princess Nokia showed up, on her birthday, and played a hardcore punk set. That was kind of a special moment. It ended up getting shut down by the NYPD, who came guns drawn.
“He said, ‘Man, this is the best thing that’s happened on this block in years.’ To come over from London and do something in Harlem, with a group of British artists and New Yorkers, I had felt this immense pressure to come correct and be respectful to that community. So that was the point that I felt we had done a good job. Because you don’t want to be part of the gentrification crew, and we had managed to avoid that.
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