During a stroke, every minute counts.
You’re at risk for stroke if you have high blood pressure , heart disease, diabetes, smoke—or don’t exercise, are obese, are of an older age, among other factors. Knowing the waring signs can make all the difference. “During a stroke, every minute counts! Fast treatment can lessen the brain damage that stroke can cause,” says the CDC. “By knowing the signs and symptoms of stroke, you can take quick action and perhaps save a life—maybe even your own.” Read on—and to ensure your health and the health of others, don't miss these Sure Signs You've Already Had Coronavirus. 1 You May Have Sudden Numbness or Weakness You may have sudden numbness or weakness “in the face, arm, or leg, especially on one side of the body,” says the CDC. “A stroke occurs when blood flow in the brain becomes obstructed. When brain cells become deprived of oxygen-rich blood, they begin to die and lose their functions,” according to Flint Rehab. “The area of the brain affected by stroke determines the secondary effects that occur. For example, if the area of the brain that regulates sensation is affected, it may result in impaired sensation like numbness.” 2 You May Have Sudden Confusion or Trouble Speaking You may also have difficulty understanding speech, says the CDC. This may also be the result of a TIA. “Symptoms of memory loss due to a transient ischemic attack are often temporary and vary depending on the area of the brain affected,” says Cedars Sinai. “Short-term memory loss is the most common form of memory loss due to a TIA. Patients experiencing short-term memory loss will have vivid memories from long ago, but will have difficulty remembering the events of the present day.” 3 You May Have Sudden Trouble Seeing in One or Both Eyes “After a stroke, you may have difficulty with visual processing or your ability to make sense of what you see. The most common visual processing problem after a stroke is visual neglect, also known as spatial inattention, which can affect your perception of th
AdDeutsche Senioren staunen über bahnbrechende Schuheinlage.The WrapWhy Aren’t the Georgia Spa Shootings Considered a Hate Crime?Why haven’t the mass shootings at Atlanta-area spas that left eight people dead, including six women of Asian descent, been classified as a hate crime? This question, coming after a year of violence and harassment targeting Asian Americans across the U.S., underscores the mounting frustration from communities of color — particularly after Georgia authorities suggested that Robert Aaron Long, who confessed to the killings, was not “racially motivated” because that is what he told them. “We live in a highly segregated society, and when a white male individual shows up with a weapon and the majority of victims are people of color or women, we should immediately start with the premise that hate may have been the primary motivating factor,” Eric Ward, an expert on hate violence and the executive director of the Western States Center, told TheWrap. Also Read: 'TheWrap-Up' Podcast: Actress Olivia Munn Speaks Out on Anti-Asian Violence Prosecutors have not yet decided whether to add hate-crime charges for Long, who has been charged with eight counts of murder. And Georgia’s first hate-crime law — which imposes at least two years in prison for a felon who intentionally targets a victim for their race, color, religion, sex, sexual orientation, national origin, gender or disability — was passed last year and only took effect in January. Legal experts say that proving a racist or biased motivation in court can be daunting. Former prosecutor Elie Honig told CNN that for hate crimes cases, a prosecutor generally has to “prove to a jury beyond a reasonable doubt not only that the defendant committed a murder or a crime … but also that the defendant committed the crime for a very specific reason.” That’s one reason why hate crimes historically have been both underreported and unprosecuted — even at the federal level, where a hate crime can be punishable by a life sentence when lives are lost. (The Ohio man who killed protester Heather Heyer when he drove his car into a crowd at the 2017 “Unite the Right” rally in Charlottesville, Virginia, was sentenced to life in prison in 2019.) From 2009 to 2019, roughly 2,000 hate crimes were referred to the federal government for prosecution, according to a 2019 study from Transactional Records Access Clearinghouse, a nonpartisan research organization at Syracuse University. Only 15% were prosecuted. In 2019, only 17 of the 99 hate crimes referred to federal prosecutors were prosecuted. Also Read: CNN Reporter Hit With Anti-Asian Heckle Right Before Her Live Shot Despite the rise in anti-Asian violence in the last year, there is no uniform database aside from self-reported data collections run by organizations like Stop AAPI Hate or Stand Against Hatred, according to John C. Yang, the president and executive director of the civil rights group Asian Americans Advancing Justice-AAJC. “But these are only voluntary, and only as good as the outreach that can be done by us as nonprofit organizations,” Yang told ABC News. And prosecuting hate crimes that target Asians carries its own challenges — even compared to other sorts of bias-based attacks. “There’s a recognizable prototype with anti-Black or anti-Semitic or anti-gay hate crime,” Lu-in Wang, a law professor at the University of Pittsburgh, told the New York Times. “They’re often more clear-cut.” Prosecutors could pursue the Georgia case as a crime targeting the victims’ race and gender, but that would likely be without precedent. “I know of no intersectional hate-crimes case,” Jeannine Bell, an Indiana University law professor specializing in hate crimes, told New York magazine. Also Read: Georgia Cop Criticized for Saying Murder Suspect Had a 'Bad Day' Shared Racist Merch on Facebook But Ward told TheWrap that states could also find ways for victims of hate crimes to hold perpetrators accountable in civil court. “States do not have to be neutral in that,” he said. “They don’t have to put all the burden on victims and vulnerable communities. They can step up and be allies.” The Georgia mass shooting has triggered widespread condemnation — including for the Cherokee County sheriff’s captain who described Long as having a “bad day.” “My deep frustration is that we are hiring people to protect and serve our communities who are unable, because of racial bias, to acknowledge the crimes that are happening right before them, and it leaves an increasing number of Americans at physical risk,” Ward said. Scot Nakagawa, a community organizer and senior partner at ChangeLab, a racial justice think tank focused on Asian American identity, agreed. “We should not let law enforcement define for us when we think injustice has occurred, and we should proceed and address that injustice regardless of whether it’s called a hate crime or not,” he said. “Whether or not something falls within the strict legal definition of a hate crime, that does not mean there was not bias involved. That bias and that violence should be treated with great seriousness.” The response of law enforcement to cases like the Georgia shooting may also make other victims less likely to report attacks to the authorities — in addition to other barriers like language, cultural norms and fear of retaliation. KGO anchor/reporter Dion Lim, who has lead coverage of the anti-Asian attacks in the Bay Area, has seen first-hand the reluctance of many Asian Americans to share their experience with acts of bias. “My parents always said, ‘Keep your head down, your nose clean, do well in school, don’t cause a fuss.’ And at the beginning of the pandemic, we saw that rise in xenophobia and hate toward Asian Americans in hate speech and slurs. I remember my mother said to me, ‘Why do you do this? You should stop because this is making Asian Americans look bad,'” she told TheWrap. “So, believe it or not, every time I want to do a story, and I’m trying to do my best with sourcing or trying to get someone to do an interview with me, it used to be maybe 90% of the time, I would get a no. That’s a challenge that I’m facing constantly.” To Nakawaga, the reluctance to come forward is understandable. “People are scared and we need to address that fear,” he said. “Racism is not just the harm that happens to individuals. Racism is a profoundly undemocratic ideology that divides us from our shared interests.” The surge in violence is already reverberating throughout Asian American society. “Hate crimes reshape communities. It’s not simply the immediate victims who are most impacted. Anyone who can see themselves as part of that identity … immediately begins to feel that fear,” Ward said. “They begin to feel alienated in the society that is their home. We simply have to say no more to this.” Read original story Why Aren’t the Georgia Spa Shootings Considered a Hate Crime? At TheWrap
7 hours agoHow ‘Alone Together’ Directors Told Charli XCX’s Story Beyond Her LivestreamsThe new documentary “Alone Together” chronicles the making of Charli XCX’s latest album, “How I’m Feeling Now,” during the pandemic. The only problem was, the pop star had already livestreamed every step of the recording process to her fans. So how do you make a compelling behind-the-scenes film when everyone already knows the full story? That was the challenge facing directors Bradley & Pablo, whose “Alone Together” premiered on Friday as the closing night film of SXSW. The documentary shows how Charli XCX made her experimental, electro-pop fourth album in just six weeks as a DIY project. Along the way, she shared her progress with her loyal fans (or “Angels”), and even incorporated their feedback and suggestions into the music. In much the same way, Bradley & Pablo went beyond making Charli the sole protagonist of their doc, instead looping in several of the fans who worked with her and highlighting their stories alongside hers. “[Charli] already is super transparent and open, but for her fans, when you’re living that, you don’t really see it in all its glory. It’s our job to find our perspective on that and present it to the world,” Bradley told TheWrap. “I think we saw something in it that Charli wasn’t even aware of at the time — the scale and the reach and the importance of doing this project with her fans in this open way.” Also Read: 'Alone Together' Film Review: Charli XCX Documentary Is For, and About, the Singer's Fans “Luckily Charli was very honest and open and pretty diligent about filming herself most of the time,” Pablo added. “She was pretty open with how she was feeling; putting the camera on herself at times when a lot of people may not have.” “Alone Together” is Bradley & Pablo’s directorial debut after the L.A.-based duo have built a career directing music videos for the likes of Harry Styles, Lil Nas X and Lizzo. They’ve worked with Charli XCX dating back to her “Vroom Vroom” EP and found themselves just five minutes up the road, but seemingly miles apart, from her during the pandemic. And they already faced an uphill battle, as it wasn’t until the eighth day of Charli’s recording process that they even realized it was something that needed documenting. Ultimately, they combed through over 4,000 clips and interviews with fans over a 12-month editing period. “Alone Together” directors Bradley & Pablo/ Photo Credit: Chris Clavadetscher “We were already catching up, trying to figure out in our heads what the story was going to be, plus trying to get her to start documenting it in a proper way,” Pablo said. “The big thing was structure — really nailing in what we wanted to say and what was the theme of the film beyond Charli making an album. How do we weave all these interesting themes and nuggets into a cohesive narrative?” Also Read: How 'Somewhere You Feel Free' Director Captured Tom Petty's 'Mid-Life Crisis' “Alone Together” at times pulls directly from Charli XCX’s Instagram Live appearances, during which she chatted with fans and workshopped lyrics and beats in real time. At one point, she talked about how she felt “warped” by being stuck indoors, but commenters on the livestream successfully convinced her to use the word “exhausted” instead. The collaboration only grew from there. “It’s putting yourself into a very vulnerable position, really. That process is often very private and something that people would often guard, so I think it’s a very brave thing that she would open that up and also probably ended up creating an album that will mean so much to people who felt like they were part of that project,” Pablo said. “She took the parameters and boundaries of the pandemic and the challenges of isolation and turned them into opportunities,” Bradley added. “By the position she was in, she connected with people that she never would have connected to had it not had been through this situation. I think that inspired and drove her music and the amazing album she actually came out with.” Also Read: Jenna Ortega and Maddie Ziegler Drama 'The Fallout' Wins Top Prize at SXSW Charli XCX’s “How I’m Feeling Now” earned spots on several best-of-2020 lists and was shortlisted for the Mercury Prize. On the heels of that acclaim, Bradley & Pablo wanted “Alone Together” to spotlight the lesser known voices who contributed to the album, many of them young LGBTQ people who love Charli and feel a connection to her record but were also hit hard by the pandemic. “It’s a 17-year-old kid from a small town who’s got really bad anxiety and social anxiety and mental health issues — it’s quite hard to present themselves in front of the camera and feel confident when you’re not there to guide them through the process. [That] was a challenging thing about making this,” Pablo said. “This weaving of perspectives; a lot of the way her fanbase would’ve consumed that during the process would’ve been seeing mainly her. So I guess in this way, we’ve given the fans a voice in this as well.” Read original story How ‘Alone Together’ Directors Told Charli XCX’s Story Beyond Her Livestreams At TheWrap
7 hours agoUnion Station Makes a Promise: Even During the Oscars, the Trains Will Run on TimeOne of the strangest things about the Academy’s plan to hold this year’s Oscars at Union Station in downtown Los Angeles isn’t that they’re putting on an awards show in a train station, though that will be a first. Rather, it’s that they’re planning to put on the show in a transit center that will remain open, without shutting down or seriously affecting the usual operation of that center. That’s not the way the Oscars usually work. For the past 19 years, the ceremony has been held at the Dolby Theatre in the Hollywood & Highland Center – and on the day of the show, the Metro subway stop beneath the center is always shut down. Some surrounding streets are also closed and blocked off for several days prior to the show. But this year, L.A. Metro does not anticipate changes in any Union Station bus or rail schedules, with the station remaining open even during the April 25 ceremony. Although the Oscars are scheduled to use significant portions of the celebrated Mission Moderne building, including the Historic Ticketing Hall, Grand Waiting Room, north and south patios and main entrance on Alameda St., L.A. Metro wrote on its website this week, “Union Station will remain open to transit riders throughout the awards events and riders will be able to access all bus, rail, Metrolink, Amtrak and private transportation providers, along with vendors.” Also Read: Oscar Producers Tell Nominees That the Show Will Be Safe -- With No Zooming An L.A. Metro spokesperson told TheWrap that some bus lines on Alameda in front of the station would undergo detours on the day of the show, but that it was a priority in their discussions with the Academy that the show cause as little disruption as possible to all transit services. In addition, the spokesperson said, L.A. Metro does not anticipate closing the Hollywood & Highland subway stop this year, even though portions of the Oscar show will take place at the Dolby Theatre. The reduced footprint for this year’s Oscars is possible because it will be a much smaller event, with attendance restricted to nominees, their guests and presenters. Also Read: While the Oscars Embrace Diversity, the Golden Globes Scramble for Relevance Travelers who normally enter the complex through the Union Station West building will be able to instead access transportation services through the Union Station East building, which occupies the opposite side of the Amtrak and Metrolink tracks. Signs both on surrounding streets and inside the station will indicate the detours that will be in effect because of the Oscars. Some detours had already been in place recently because of renovations to the ceiling of the Grand Waiting Room. Those renovations will be completed before the Oscars ceremony. Read original story Union Station Makes a Promise: Even During the Oscars, the Trains Will Run on Time At TheWrap headtopics.comRead more: Yahoo Singapore »
Singapore sees ‘several important lessons’ from Tan Tock Seng Hospital COVID-19 cluster
SINGAPORE: Singapore has learnt 'several important lessons' from the COVID-19 cluster at Tan Tock Seng Hospital (TTSH), among them - that the ...