Cannes 2022: Decision to Leave review — Tang Wei shines in Park Chan-wook's twisted love story

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4/5 stars Five years since his last film, the erotic tale The Handmaiden, Korean maestro Park Chan-wook returns with Decision to Leave, which finds the director in more melancholic mood as he unfolds a gradual, twisted love story that is playing in the main competition at this year's Cannes Film Festival. Those who crave the Park of old, from films...

Tang Wei and Park Hae-il in a still from Decision to Leave, directed by Park Chan-wook, which is playing in the main competition at the 2022 Cannes Film Festival.Five years since his last film, the erotic tale The Handmaiden, Korean maestro Park Chan-wook returns with Decision to Leave, which finds the director in more melancholic mood as he unfolds a gradual, twisted love story that is playing in the main competition at this year's Cannes Film Festival.

Co-written by Park, the film stars Park Hae-il as Hae-joon, a married police inspector working the beat in Busan, South Korea's second largest city. Early on, a body of a man is discovered at the bottom of a steep mountain, which Hae-joon insists on climbing to retrace the victim's final steps. Question is, did he fall or was he pushed?The man's Chinese wife, Seo-rae , seems almost unconcerned, leading some around Hae-joon to immediately point the finger.

Throughout, Park's keen visual eye presents viewers with some startling images: a snowbound clifftop; an overhead shot of two cars parked by a beach; and even a camera shooting upwards through a corpse's eye as ants crawl across it. It's never less than inventive.

 

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