, a film and LP record released in 1970. The project, conceived by Paul McCartney, was originally intended to be a television special documenting the band’s preparation for a live concert . Because of the performance element, the Beatles decided to get back to their roots and only develop material that could be played without adding overdubs.
Much of this audio has long been available as bootlegs, informing written accounts of this period of the Beatles’ history. The audio without the video, however, doesn’t always tell the whole story. Unlike the cinema verité style of Let it Be, Get Back gives much-needed context in the form of titles naming the protagonists and songs, as well as explaining what is happening. The use of a day-by-day countdown to the live performance gives the otherwise shapeless events a sense of narrative and even tension.
There is nevertheless something of a hermetic feel to most of Get Back, so that when the Beatles and Preston head up to the rooftop to play in public – the cinematic “payoff” that the band and Lindsay-Hogg had been looking for throughout the project – there is a palpable sense of release.
This is an extraordinary technological breakthrough, allowing key conversations to be heard properly for the first time, and for the remixing of the play throughs and rehearsals of songs, which weren’t being recorded as “takes” on the eight-track system.
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