It’s as much about the professional partnership as it is about the empowering friendship forged between trailblazing automotive designer Carroll Shelby and gifted race-car driver Ken Miles as they hurdle differences and pesky corporate interference at the Ford Motor Company in the ‘60s.
At the heart of “Ford v Ferrari’s” edge-of-your-seat chases and races are insights into humanity and the inspiring, disappointing and exhilarating connections we make with the people we interact with on a daily basis. We immediately got worried about how the rest of our moviegoing weekend would turn out after watching the first film: Kevin Dayrit’s “O” is weighed down by the self-indulgent performances of actresses we couldn’t make heads or tails out of.
For viewers who don’t have enough time to patronize all of Cinema One’s entries, the titles they should make a beeline for are JE Tiglao’s thematically tantalizing “Metamorphosis,” Victor Villanueva’s lingeringly ruminative “Lucid,” Giancarlo Abrahan’s disarming “Sila-Sila” and Eve Baswell’s disturbing “Tia Madre.”
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