Sofia Coppola turns her lens on an American icon: Priscilla Presley

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Sofia Coppola turns her lens on an American icon: Priscilla Presley
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Sofia Coppola learned a long time ago that in order to have full creative freedom, she'd have to to get creative with budgets and timelines

In her 25 years of making films, Sofia Coppola has always found the poetry behind the headlines, the banality in the glamour, the soul in the superficial. Her dreamy, lyrical portraits of girl culture and gilded cages have brought her to 18th century Versailles, 1970s suburban Michigan, the 1860s South, noughties Calabasas and modern-day Tokyo, West Hollywood and Manhattan.

“There was something about making this movie where I just felt so in my element,” she said. “It was hard work but I really had so much fun.” She, Le Sourd and her actors also spent a lot of time in Elvis’ bedroom, filming in the only place the characters ever really got to be alone. In the book, Presley writes that they would sometimes dabble in costumed role-play and document it with Polaroids.

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