Giant red pandas, assassins with mistaken identities and an influx of exorcisms may sound like the next instalment of bizarre world events considering the past two years, but they’re actually the plots and characters that will put Toronto at the forefront of film in 2022 thanks to some new releases and the rise of homegrown talent.
Now, as movie-hungry audiences across the globe hopefully embrace the chance to safely return to theatres, what they’ll see is Toronto in all its glory.“Turning Red.” “Turning Red” is set in 2002 and ’03. Thirteen-year-old Chinese-Canadian protagonist Mei Lee poofs into a giant red panda every time she has “strong emotions.” Even the trailer is unapologetically Torontonian, opening with a shot of the CN Tower and including accurate depictions of Chinatown, Rogers Centre and typical neighbourhood streets.
Toronto’s own Jacqueline Byers is also getting her due. After supporting roles in small productions and television shows like “Roadies” and “Salvation,” she’ll star alongside Virginia Madsen in the Lionsgate-produced horror movie “The Devil’s Light.” Out Feb. 11, the movie has been delayed for nearly two years and follows Byers as Sister Ann, who fights for what she believes is her calling: to perform exorcisms.
Meanwhile, David Cronenberg, who hasn’t released a motion picture since 2014’s “Maps to the Stars,” has revamped a Toronto-set sci-fi project of his called “Crimes of the Future” — though this version was shot in Athens, Greece.
“Starring Ottawa native Sandra Oh, it will bypass movie theatres and start streaming March 11 on disneyplus” We could still do this. HT MPigott xoTO
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