Review: Panga’s cast brings heart to a contrived script

There’s a peculiarity about kabaddi, a contact sport popular in India. The raider from one team must go into the court of the opposing team, tag as many of their members as possible and return to their own side resisting being tackled – all in one breath. The raider repeats a word, usually “kabaddi,” to indicate the singular breath.focuses on Jaya Nigam , a former national kabaddi champion who gave up the sport that was once her first love for the sake of her family.

“Phir se panga lene ka mann kar raha hai,” Jaya says to her best friend and former teammate, Meenu . Roughly translated: She wants to mess with life again. You wait with bated breath to see just how Jaya will manage. In the end, you’re left with a slight sigh over a missed opportunity. Althoughhits all the marks of a pleasing family entertainer, you wish it could have truly lived up to the potential of its name.

Occasionally, Jaya is reminded of her former life. But she simply smiles wistfully and moves on. When Adi, a ridiculously precocious kid, discovers his mother was once a famous athlete, he throws her a challenge: Make a comeback. If Serena Williams can do it, so can you. At first, Jaya does it on a whim, to please her son. But soon she rediscovers parts of herself that she had lost in motherhood.

It may take a village to bring up a child, but as Jaya discovers, it takes your family, neighbours and friends to make a comeback. Everyone rallies around to support Jaya’s goal, despite their initial reservations. But will she make India – and her son – proud?’s strength lies in its capable cast, which brings heart to a largely contrived script that tells more than it shows.

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