The Associated Pressseries than co-creator and star Natasha Lyonne, it has to be Harry Nilsson.
Although the complicated pop star has maintained a cultish following since his early seventies heyday, interest in him spiked up considerably after his jaunty piano piecewas used as the trigger and tonal inspiration for the show’s looping journey through self-loathing and self-knowledge. In our age of digital data, we don’t even need to resort to vague temperature-taking to understand the impact. The song’s repeated use throughout the show’s eight episodes earned Nilsson something like 2,000 per cent more downloads and streams than his average, enough out-of-nowhere attention that the song is now amended with an “As heard on …” label on streaming services.And now, that attention is trickling down to the rest of his convoluted canon. On Nov.
Nilsson doesn’t just resist summary, he seems to mock the very idea that an artist should be able to be simplified. As a person, let alone as a musician with a surprising half-century legacy, Nilsson really just shouldn’t have been. He was less a human than a coalescence of opposing forces that should have cancelled each other out. He was his own action and reaction, a move in every direction, and never more happy to switch his heading than when it seemed like you had him figured.
Nilsson sang like a pure beam of light and drank like a black hole. He was a restlessly inventive musician – he arguably created both the mash-up and the remix album – whose biggest hits and Grammy nominations came from the oldest trick in American pop music, heart-on-the-sleeve covers: the wistfully sunny
RobertWoelfel75 GlobeArts Nilsson in the night, brilliant way to wind down after a night out!
GlobeArts One of the greats. Loved listening to him as a child. And now.
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