On television sexual tension used to be unresolved, now it’s simply unseen. In a wave of prominent new shows, the traditional couple – two lovers, one narrative – is no longer the fulcrum for the storytelling. Writers and producers are finding new relationships, sometimes communal and often inclusive, to link together and test their fictional characters. That old chestnut of “will they or won’t they?” feels like a throwback to an earlier television age.
At the start of the recently released second season Kat Stewart’s Liz, who is so often torn between logic and emotion as she tries to rebuild her life, is drawn back to the husband she left, Stuart , who dangles the prospect of them reuniting and becoming parents. She ends up refusing his entreaties, literally saying goodbye on the phone and joining her friends. She goes towards what television once had its characters leave behind.
“I guess old white guys are only scared of colon cancer and societal change,” Gomez’s deadpan Mabel tells her collaborators, and the interaction between the trio – rooted in their secrets, illustrated with witty insight – is so much richer than if the couple in apartment 8B was simply on the case. At a time when we’re literally locked into place by a pandemic, the chatter and collaboration of characters who don’t need sexual desire or wedding vows to link them is like a tonic.
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