Scrooge: A Christmas Carol review – Netflix’s junky musical is a lump of coal

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The voices of Olivia Colman, Luke Evans and Jessie Buckley can’t enliven an ugly, joyless retread of the Dickens classic

A still from Scrooge: A Christmas CarolLast modified on Mon 28 Nov 2022 07.39 GMTclassic that nobody will leave well enough alone. If only the latest iteration, Scrooge, were content to revisit a magical old favorite. Instead Netflix’s psychedelic musical drains and dilutes, trading the original’s wit and heart for belted-out ballads, flame balls and what appear to be fire-eyed and gravity-defying trolls.

A rule of thumb in musical theater is that characters should sing only when speaking will not convey their emotion. In this case, though, song is used to dazzle and distract. The kids weren’t buying it, and neither will you. Nor will you be terribly impressed with the production values, which languish in a no-man’s land on the visual spectrum between old school claymation and acceptably modern. The figures lack dimension in all respects.

Dickens’s novella, originally published in 1843, was storytelling at its most taut and rigorous, a work brimming with humor and humanity. Here was a time travel story with an underlying idea. It wasn’t too late for cranky capitalist Ebenezer Scrooge to revisit pivotal moments of his past and reengineer his destiny. This retelling manages to unravel a tightly plotted and emotionally resonant ghost story and lose the logic and poignancy.

If the underlying message is to be decent before it’s too late, then be nice to yourself and queue up the berserk and brilliant Muppets Christmas Carol, why don’t you? You only live once.

 

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