Film based on Morcombe case no ‘cruel act’

The Sting: the Undercover Operation that Caught Daniel Morcombe’s Killer

. Joel Edgerton optioned the book in 2018 and gave it to Thomas M. Wright to adapt and direct. Edgerton plays an undercover cop, with Sean Harris as a drifter known in the film as Henry Teague.The film competed at Cannes in May and had its Australian premiere at the Melbourne Film Festival – two significant accolades.

In fact, the Morcombes were sent the first draft of the script almost three years earlier and chose not to participate. Thomas M. Wright avoids a direct representation of the crime. “This is a fictionalised account of a police operation that has no depiction of a victim. It has no representation of that victim, no representation of their family, there is no violence in the film, all names and details have been changed,” Wright told an interviewer before the MIFF screening.

, the film about the Port Arthur massacre. For the bereaved families in such crimes, no-one has the right to tell that story. By that logic, we would never have films about any significant crimes – fromhas a clear conscience. It is a deeply serious work about the psychology of both the killer and his pursuers, rather than the crime itself. Wright shows respect by staying away from the family’s story and their grief.

In tone, the film is brilliantly hidden. It takes a long while to work out what’s happening. The atmosphere is gloomy, distrustful, brutal in language, with a jangly soundscape and music.The compositions keep us off balance, as Mark edges Henry towards a revelation. Both these performances are superb – quiet, mysterious, forceful. Indeed, the whole film is a remarkable achievement, compassionate and thoughtful, a long way from the exploitative film that the family feared.

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